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  • drahfa 4:29 pm on March 30, 2015 Permalink | Reply
    Tags: opinion   

    Business Card kini mungkin tidak lagi relevan di zaman internet 

    Biasanya lecturer/professionals keluar berjumpa client dan membawa business card masing-masing. Saya pula, jarang bawa business card semasa conference/meeting dengan orang luar. Sebabnya mcm ni:

    1. Saya biasanya dpt phone call/email dari orang luar.  Mostly dapat contact info melalui internet 😊 If you are needed, people will always find ways to meet you.

    2. Business card saya dah habis sebenarnya. InsyaAllah saya akan tempah yg baru 😁 Selalu lupa yg ni.

    3. Yang paling seram sekali, bila saya salam dengan org, saya kenalkan diri, “Saya Faisal”, lepas tu orang tu jawab, “Saya tau 😊”. 

    Satu lagi, saya sebenarnya pemalu orangnya (introvert). Kalau tak caye, cuba tanya isteri saya 😁

  • drahfa 3:40 am on March 30, 2015 Permalink | Reply
    Tags: stress   

    Kita dan stress 

    “We delight in the beauty of the butterfly, but rarely admit the changes it has gone through to achieve that beauty.” — Maya Angelou

    Kadang-kadang kita stress tanpa disedari.

    Ataupun, kita sukar untuk mengakui yang kita sedang stress.

    Kadang-kadang kita perlukan seseorang yang rapat dengan kita untuk beritahu yang kita ni stress, sebab apabila kita stress, secara automatik hormon berubah, nada suara kita berubah, jatuh sakit, selsema, demam dan air muka kita tak ceria macam selalu.

    Ubat kepada stress?

    Pertama sekali, kita mengakui yang kita stress. Dan kita perlukan sokongan daripada orang-orang yang kita sayang untuk sentiasa berada di sisi kita semasa stress.

    Kemudian, selesaikan semua perkara yang menyebabkan kita stress itu dengan berani dan tabah.

    Lama-kelamaan, apabila perkara yang menyebabkan kita stress itu selesai, kita akan kembali gembira dan menjadi lebih matang & cantik.

    Cantik & kuat, macam butterfly.

  • drahfa 9:09 am on March 29, 2015 Permalink | Reply

    Trying to blend myself into this #planner trend. A gift from my wife @dyaddis. Mine is black, simple and #moleskine. #hipster habis. Cis 😁. 

  • drahfa 9:46 am on March 22, 2015 Permalink | Reply

    Ninja Robo-Batman! Look out! 

  • drahfa 8:34 am on March 22, 2015 Permalink | Reply

    Cloning my 2010 Macbook Pro, giving it a fresh breath of SSD. Never had a laptop survived this long, patiently accompanying my travels. 

  • drahfa 8:04 am on March 22, 2015 Permalink | Reply

    Having a bat-day? Don’t worry, Ninja Robo-Batman to the rescue! #awesome #lunchtime 

  • drahfa 5:06 pm on March 12, 2015 Permalink | Reply

    : ) missing each other. 

  • drahfa 12:22 am on March 3, 2015 Permalink | Reply

    There are two things; making mistakes and being really stupid & dangerous. This user @yengnasir probably falls into the second group. Don’t play with other people’s life. #dji #phantom #drones #klia #stupidity 

  • drahfa 8:05 am on March 2, 2015 Permalink | Reply

    Everything You Need to Know About Writing Successfully in 10 Minutes, by Stephen King 

    Original content via http://www.aerogrammestudio.com/

    1. Be talented
    This, of course, is the killer. What is talent? I can hear someone shouting, and here we are, ready to get into a discussion right up there with “what is the meaning of life?” for weighty pronouncements and total uselessness. For the purposes of the beginning writer, talent may as well be defined as eventual success – publication and money. If you wrote something for which someone sent you a check, if you cashed the check and it didn’t bounce, and if you then paid the light bill with the money, I consider you talented. Now some of you are really hollering. Some of you are calling me one crass money-fixated creep. And some of you are calling me bad names. Are you calling Harold Robbins talented? someone in one of the Great English Departments of America is screeching. V.C. Andrews? Theodore Dreiser? Or what about you, you dyslexic moron?

    Nonsense. Worse than nonsense, off the subject. We’re not talking about good or bad here. I’m interested in telling you how to get your stuff published, not in critical judgments of who’s good or bad. As a rule the critical judgments come after the check’s been spent, anyway. I have my own opinions, but most times I keep them to myself. People who are published steadily and are paid for what they are writing may be either saints or trollops, but they are clearly reaching a great many someones who want what they have. Ergo, they are communicating. Ergo, they are talented. The biggest part of writing successfully is being talented, and in the context of marketing, the only bad writer is one who doesn’t get paid. If you’re not talented, you won’t succeed. And if you’re not succeeding, you should know when to quit. When is that? I don’t know. It’s different for each writer. Not after six rejection slips, certainly, nor after sixty. But after six hundred? Maybe. After six thousand? My friend, after six thousand pinks, it’s time you tried painting or computer programming. Further, almost every aspiring writer knows when he is getting warmer – you start getting little jotted notes on your rejection slips, or personal letters . . . maybe a commiserating phone call. It’s lonely out there in the cold, but there are encouraging voices … unless there is nothing in your words which warrants encouragement. I think you owe it to yourself to skip as much of the self-illusion as possible. If your eyes are open, you’ll know which way to go … or when to turn back.

    2. Be neat
    Type. Double-space. Use a nice heavy white paper, never that erasable onion-skin stuff. If you’ve marked up your manuscript a lot, do another draft.

    3. Be self-critical
    If you haven’t marked up your manuscript a lot, you did a lazy job. Only God gets things right the first time. Don’t be a slob.

    4. Remove every extraneous word
    You want to get up on a soapbox and preach? Fine. Get one and try your local park. You want to write for money? Get to the point. And if you remove all the excess garbage and discover you can’t find the point, tear up what you wrote and start all over again . . . or try something new.

    5. Never look at a reference book while doing a first draft
    You want to write a story? Fine. Put away your dictionary, your encyclopedias, your World Almanac, and your thesaurus. Better yet, throw your thesaurus into the wastebasket. The only things creepier than a thesaurus are those little paperbacks college students too lazy to read the assigned novels buy around exam time. Any word you have to hunt for in a thesaurus is the wrong word. There are no exceptions to this rule. You think you might have misspelled a word? O.K., so here is your choice: either look it up in the dictionary, thereby making sure you have it right – and breaking your train of thought and the writer’s trance in the bargain – or just spell it phonetically and correct it later. Why not? Did you think it was going to go somewhere? And if you need to know the largest city in Brazil and you find you don’t have it in your head, why not write in Miami, or Cleveland? You can check it … but later. When you sit down to write, write. Don’t do anything else except go to the bathroom, and only do that if it absolutely cannot be put off.

    6. Know the markets
    Only a dimwit would send a story about giant vampire bats surrounding a high school to McCall’s. Only a dimwit would send a tender story about a mother and daughter making up their differences on Christmas Eve to Playboy … but people do it all the time. I’m not exaggerating; I have seen such stories in the slush piles of the actual magazines. If you write a good story, why send it out in an ignorant fashion? Would you send your kid out in a snowstorm dressed in Bermuda shorts and a tank top? If you like science fiction, read the magazines. If you want to write confession stories, read the magazines. And so on. It isn’t just a matter of knowing what’s right for the present story; you can begin to catch on, after awhile, to overall rhythms, editorial likes and dislikes, a magazine’s entire slant. Sometimes your reading can influence the next story, and create a sale.

    7. Write to entertain
    Does this mean you can’t write “serious fiction”? It does not. Somewhere along the line pernicious critics have invested the American reading and writing public with the idea that entertaining fiction and serious ideas do not overlap. This would have surprised Charles Dickens, not to mention Jane Austen, John Steinbeck, William Faulkner, Bernard Malamud, and hundreds of others. But your serious ideas must always serve your story, not the other way around. I repeat: if you want to preach, get a soapbox.

    8. Ask yourself frequently, “Am I having fun?”
    The answer needn’t always be yes. But if it’s always no, it’s time for a new project or a new career.

    9. How to evaluate criticism
    Show your piece to a number of people – ten, let us say. Listen carefully to what they tell you. Smile and nod a lot. Then review what was said very carefully. If your critics are all telling you the same thing about some facet of your story – a plot twist that doesn’t work, a character who rings false, stilted narrative, or half a dozen other possibles – change that facet. It doesn’t matter if you really liked that twist of that character; if a lot of people are telling you something is wrong with you piece, it is. If seven or eight of them are hitting on that same thing, I’d still suggest changing it. But if everyone – or even most everyone – is criticizing something different, you can safely disregard what all of them say.

    10. Observe all rules for proper submission
    Return postage, self-addressed envelope, all of that.

    11. An agent? Forget it. For now
    Agents get 10% of monies earned by their clients. 10% of nothing is nothing. Agents also have to pay the rent. Beginning writers do not contribute to that or any other necessity of life. Flog your stories around yourself. If you’ve done a novel, send around query letters to publishers, one by one, and follow up with sample chapters and/or the manuscript complete. And remember Stephen King’s First Rule of Writers and Agents, learned by bitter personal experience: You don’t need one until you’re making enough for someone to steal … and if you’re making that much, you’ll be able to take your pick of good agents.

    12. If it’s bad, kill it
    When it comes to people, mercy killing is against the law. When it comes to fiction, it is the law.

    That’s everything you need to know. And if you listened, you can write everything and anything you want. Now I believe I will wish you a pleasant day and sign off.

  • drahfa 4:35 pm on March 1, 2015 Permalink | Reply

    Slow streamyx today? Probably your webpages have been hijacked by midas.nervesis.com . Lodge your report to @tmconnects twitter ASAP. 

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